Bach Bibliography Search Result - Ordered Chronologically

Author : Peters, Mark
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Peters, Mark A.:   Adapting Bach's final Weimar Cantata for Performance in Leipzig: Liturgical and Musical Considerations in Cantata 147. Bach 31/1 (2000), 58-73. [BWV 147]
	2.	Peters, Mark A.:   Speech and Silence in Bach's Cantatas to Texts by Marianna von Ziegler. [p]AMS_Allegheny (Oct 2001) A paper read at the American Musicological Society Annual Meeting, 13 October 2001.
	3.	Peters, Mark A.:   Settings of the Vox Christi in Johann Sebastian Bach's cantatas to texts by Christiane Mariane von Ziegler. [p]ABS_Houston (Apr 2002) A paper read at Biennial Meeting of the American Bach Society, April 26-28, 2002 at University of Houston, Rice University Houston, TX. 'J. S. Bach: Liturgy--Music--Theology.'
	4.	Peters, Mark A.:   Christiana Mariana von Ziegler's Sacred Cantata Texts and Their Settings by Johann Sebastian Bach. diss. (2003), xv, 384p. PhD diss., University of Pittsburgh, 2003. xv, 384p. [BWV 103; 108; 87; 128; 183; 74; 68; 175; 176]
	5.	Peters, Mark A.:   Speech and Silence in Bach's Cantatas to Texts by Mariana von Ziegler. [p]AMS_Houston (Nov 2003) A paper read at the American Musicological Society Annual Meeting in Houston, 13-16 November 2003.
	6.	Peters, Mark A.:   A Reconsideration of Bach's Role as Text Redactor in the Ziegler Cantatas. Bach 36/1 (2005), 25-66.
	7.	Peters, Mark A.:   Arthur Hartmann on Johann Sebastian Bach: 'The Bach Bogey'. BachNotesABS 3 (2005), 10-11. http://www.americanbachsociety.org/Newsletters/BachNotes03.pdf
	8.	Peters, Mark A.:   To clear all hindering obstacles from the path': Mariana von Ziegler's use of music in defense of Women's rights. [p]AMS_Washington (Oct 2005) A paper read at the American Musicological Society Washington DC, 27-30 October 2005, Annual meeting.
	9.	Peters, Mark A.:   Aria Forms and Scorings in J. S. Bach's Cantatas to Texts by Mariane von Ziegler. [p]BICB_Warsaw (Jul 2006) A paper read at the 12th biennial international conference on Baroque music, held at Warsaw University from 26 to 30 July 2006.
	10.	Peters, Mark A.:   A Woman's Voice in Sacred Baroque Music: Mariane von Ziegler as Cantata Librettist. [p]FMCS_Yale (Mar 2007) A paper read at the annual meeting of the Forum for Music and Christian Scholarship held at the Yale Institute of Sacred Music, 9-10 March 2007
	11.	Peters, Mark A.:   Nun komm, der Heiden Heiland (BWV 62) within the Context of J. S. Bach's Second Leipzig Jahrgang. [p]MotrealBachfest (Dec 2007) A paper read at the symposium 'Faith, Text and Music' at the Montréal Bach Festival on 8 December 2007 at McGill University.
	12.	Peters, Mark A.:   A Woman's Voice in Baroque Music: Mariane von Ziegler and J. S. Bach. Aldershot, England; Burlington, VT: Ashgate Publishing, 2008. xviii, 192p. ISBN: 978-7546-5810-8.
	13.	Peters, Mark A.:   Considerations of Genre in J. S. Bach's BWV 10, Meine Seel erhebt den Herren. [p]ABS_Bethlehem (May 2008) A Paper read at the Biennial Meeting of the American Bach Society 'BACH AND THE ORATORIO TRADITION', May 8-11, 2008, Lehigh University, Bethlehem, Pennsylvania
	14.	Peters, Mark A.:   German Magnificat and Chorale Cantata: J. S. Bach's Meine Seel erhebt den Herren (BWV 10). [p]FMCS_NotreDame (Feb 2009) A paper read at the annual meeting of the Forum on Music and Christian Scholarship on 27 February 2009 at Notre Dame University, IN.
	15.	Peters, Mark A.:   A Woman's Poetry in Leipzig's Churches: Mariane von Ziegler as Cantata Librettist. [p]Women_Yale (Oct 2009) A paper read at conference 'Poets, Mothers, and Performers: Considering Women's Impact on the Music of Johann Sebastian Bach' held at Yale Institute of Sacred Music, USA, on October 16-18, 2009.
	16.	Peters, Mark A.:   J. S. Bach's Meine Seel' erhebt den Herren (BWV 10) as Chorale Cantata and Magnificat Paraphrase. Bach 43/1 (2012), 29-65.
	17.	Peters, Mark:   The Mercy of God in the Magnificats of J. S. Bach and His Contemporaries. [p]ABS_SouthBend (Apr 2016) A paper read at the biennial meeting of the American Bach Society 'J. S. Bach and the Confessional Landscape of His Time' held at University of Notre Dame (South Bend, IN), April 7-10, 2016.
	18.	Peters, Mark A.:   Vocal Music. [ce]RoutledgeResearchCompanion (2017), 267-294. [Chapter 11] Part IV: Genres and Forms. [main headings: A Chronological Overview of J. S. Bach's Vocal Works; Approaches to the Study of Bach's Vocal Music]
	19.	Peters, Mark A.:   Marian theology in printed cantata librettos for the German Lutheran Church, 1704–54. YaleJMRelig 3/1 (2017), 93-118.
	20.	Peters, Mark A.:   Death to Life, Sorrow to Joy: Martin Luther's Theology of the Cross and J. S. Bach's Eastertide Cantata Ihr werdet weinen und heulen (BWV 103) ContextBachStud 8 (2018), 51-73.
	21.	Peters, Mark A.; Sanders, Reginald L. (eds.):   Compositional Choices and Meaning in the Vocal Music of J. S. Bach. Edited by Mark A. Peters and Reginald L. Sanders. - Lanham: Lexington Books, 2018. xxi, 328p. ISBN: 978-1-4985-5495-4 (Hardback); 978-1-4985-5496-1 (eBook) [contents]